Penny Bradshaw studied in Lancaster both as an undergraduate and as a postgraduate. Her PhD explored the newly recovered work of two female Romantic poets: Anna Barbauld and Charlotte Smith, and Penny continues to work and publish primarily within the field of British Romanticism. Penny worked briefly at Lancaster University before taking up her present post at the University of Cumbria and has been Programme Leader for the English Literature programme since 2001. Penny is also currently Programme Leader for the MA in Literature, Romanticism, and the English Lake District which is based at our Ambleside campus.
Qualifications and memberships
Penny has a BA in English, an MA in Contemporary Literary Studies, and a PhD from Lancaster University. She is a member of the British Association for Romantic Studies (BARS) and the Association for the Study of Literature and the Environment (ASLE-UK). Penny is also an Editorial Board Member for Romanticism: Life, Literature and Landscape - a digital resource which allows scholars of Romanticism unique access to the digitised manuscript collections of the Wordsworth Trust, including the working notebooks, verse manuscripts and correspondence of Wordsworth and his circle.
Academic and research interests
Penny teaches a number of modules on the English undergraduate programme; her main teaching interests include Romantic Literature, Victorian Writing, Children’s Literature and Contemporary Women’s Writing. She has developed a final year module which grows out of her research on British Romanticism and the Lake District and a second year module which looks at the wider relevance of English studies within the world of work and especially within the regional cultural heritage industry.
Penny also teaches on the MA in Literature, Romanticism, and the English Lake District. She teaches modules which explore Romantic literary circles based in the Lakes, Children's Literature and the Lake District, and Poetry and Place. In addition Penny teaches on a module which considers how literary tourism has shaped our perceptions of Cumbria and which explores the contemporary regional cultural heriage industry.
Research interests and current projects
Romanticism and especially women’s writing of the Romantic period; nineteenth-century poetry; regional writing – particularly Romantic regionalism and the legacy of Romanticism within later Cumbrian poetry and fiction. Penny is currently completing work on a number of projects relating to Romantic and post-Romantic literary responses to Cumbria and is gathering material for a new book-length critical study on Romanticism and the English Lakes.
Areas of possible research supervision
Poetry and fiction by Romantic–era women writers; Religion and Romanticism; Politics in Romantic literature; Regional Romanticism; Contemporary Cumbrian Poetry and Fiction.
Darren Harper - John Ruskin as a Social Critic: A Model for Creative Writing
Edited and Introduced, Ann Radcliffe’s Observations During a Tour to the Lakes (Bookcase, 2014)
Edited and Introduced, The Lake Poems of John Wilson (Bookcase, 2012).
Literary Lancaster (Lancaster City Council, 2016)
- ‘Romantic Recluses and Humble Cottages: Charlotte Smith’s Ethelinde and the Literary Construction of Grasmere’, Women’s Writing (August 2017) http://www.tandfonline.com/doi/abs/10.1080/09699082.2017.1355516
- '“A task of glory all thine own”: Hannah More and Early Nineteenth-Century British Women’s Biblical Poetry,’Women’s Studies 43:5 (2014), 641-664
- ‘“Living at our Full Compass”: Michael Roberts and the Poetry of Mountaineering’,The Alpine Journal 116 (2012), 229-237
- ‘Romantic Poetic Identity and the English Lake District’, Transactions of the Cumberland and Westmorland Antiquarian and Archaeological Society, 11 (2011), pp. 65-80.
- ‘The Limits of Barbauld’s Feminism: Re-Reading “The Rights of Woman”, European Romantic Review, 16:1 (January 2005), 23-37
- ‘Dystopian Futures: Time Travel and Millenarian Visions in the poetry of Anna Barbauld and Charlotte Smith’, Romanticism on the Net, 21 (February 2001)
- ‘Gendering the Enlightenment: Conflicting Images of Progress in the Poetry of Anna Letitia Barbauld’, Women’s Writing, 5:3 (Autumn 1998), 355-373
Essays / Chapters in books
- ‘Our “great entail”: Romantic Literary Travel Writing and the Concept of Natural Heritage’, inShifting Interpretations of Natural Heritage, ed. Ian Convery (Woodbridge: Boydell and Brewer, 2016), pp. 63-71.
- ‘Cumbrians and their ‘ancient kingdom’: Landscape, Literature and Regional Identity’, in Making Sense of Place, ed. Ian Convery ed. Ian Convery et al (Woodbridge: Boydell and Brewer, 2012), pp. 33-41.
- ‘Women Romantic Poets,’ in The Blackwell Companion to the Bible in English Literature (Oxford: Blackwell, 2009), pp. 383-96
- ‘The Politics of the Platter: Charlotte Smith and “The Science of Eating,”’ in Cultures of Taste/Theories of Appetite: Eating Romanticism, ed. by Timothy Morton (Palgrave: New York, 2004), pp. 59-76
- ‘Charlotte Brontë’ and ‘Amelia Opie’ in Encyclopedia of the Romantic Era, 1760-1850, ed. by Christopher John Murray, 2 vols (New York: Fitzroy Dearborn, 2004), pp. 122-124 (vol. 1) and pp. 830-831 (vol. 2)
Recent external roles
- External Examiner for MA thesis on 'Hardy and Landscape,' Manchester Metropolitan University (February 2012)
- 2011- 12 Editorial Board Member for Romanticism: Life, Literature and Landscape (digital resource published by Adam Matthew Digital and Adam Matthew Publications using archives held by The Wordsworth Trust, 2012)
- Reviewer for Green Letters (Peer Reviewed journal for the Association for the Study of Literature and the Environment - ASLE-UK).